When analog warmth
meets digital precision
High-quality analog emulation plugins tailored for modern workflows.
The most complete passive EQ plugin. Musical and intuitive, a must-have for mixing and mastering
- Meticulously recreates the original hardware
- Complete on-screen curve editor and spectrum analyzer
- Tight low-end, pristine high-end without harshness
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Pulsar Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s
- Instant vintage vibes on guitars or vocals
- Add bounce and really unique textures to drums
- Workflow improvements like sync with a tapped tempo
The most faithful emulation of a modern yet legendary tube compressor/limiter – perfect glue for mixing and mastering
- True tube smoothness which rounds off any harshness
- Modern visualization mode for fine-tuning
- Added controls and flexible side-chaining
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1178
A perfectly emulated and enhanced FET compressor.
Fast, characterful and versatile, it is the ultimate control for modern mixes.
8200
The paragon of EQs, reinvented. A faithful emulation of the legendary GML 8200.
Smasher
A straightforward extreme compressor modeled after the “British mode” of a uniquely modified 1176 compressor.
What top producers say about Pulsar
“I LOVE Primavera. Sounds so authentic! Definitely my go-to plugin for spring reverbs! It’s so versatile and can sound really dirty!! The ducking effect is also so cool to have in a plugin like this. Thanks guys!!”
Trentemøller
Artist | Producer
“As a one time owner of the hardware, the Pulsar 8200 is a brilliant model of that legendary EQ. And with the added features of the plugin, It’s an absolute no-brainer. It is one of those plugins that you absolutely must have after listening to it for all of 30 seconds.”
Craig Bauer
Grammy award-winning mixer & engineer | Producer
Kanye West | Rihanna | Lupe Fiasco | Steve Cole
“The W495 reminds me so much of the W495STB I used to have, which sadly constantly broke and was a bitch when It came to headroom 🙂 I love this EQ! Thank you for bringing a sound back to me I was missing <3″
Zino Mikorey
Mastering Engineer
Nils Frahm | Ólafur Arnalds | Fred again... | Parcels | Rival Consoles
“Pulsar Massive got a great tone and it’s become a favorite for being the last thing I put on to get an instrument to pop thru. Being a longtime Massive user, that the boost/ cut is a traditional plus-minus as opposed to a full throw live on the hardware or the UAD. I also find it interesting that the Q curves are so gentle. Definitely a new favorite.”
Alan Meyerson
Grammy award-winning film score mixer
Hans Zimmer | James Newton Howard | Henry Jackman
“I like how unintrusive and direct Echorec sounds. it‘s very simple and hassle-free to use and therefor lets me focus on composition and sound design.”
Ben Lukas Boysen
Electronic music composer | Producer | Sound designer
Erased tape records
“Absolutely LOVE PULSAR 1178! Just what I’ve been needing to further my ITB mixing. Amazing on all the things I’d use an 1178 on in the studio. Background vocal bus and drum room are my favorite sources to use it on.”
Ryan Hewitt
Grammy award-winning mixer & engineer | Producer
Red Hot Chili Peppers | Blink 182 | Lumineers | Harry Connick Jr
“Slower releases are an important part of mixbus processing for me. And the Pulsar MU reacts beautifully at the slowest releases while handling complex materials. Oh and also, it is the one I use on bass – with a special setting – if I feel the bass doesn’t stand out consistently enough.”
William Robertson
Mixing Engineer | Record Producer
Mick Jagger | Travis Scott | Nicki Minaj | Will.I.Am | Future
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