ARTISTS & PULSAR AUDIO
We are delighted
to introduce you
OUR talented artists
Grammy award-winning mixer and engineer | Producer
Red Hot Chili Peppers | Angus & Julia Stone | Bob Dylan
“Absolutely LOVE PULSAR 1178! Just what I’ve been needing to further my ITB mixing. Amazing on all the things I’d use an 1178 on in the studio. Background vocal bus and drum room are my favorite sources to use it on.”
Ryan Hewitt is an American music producer, engineer and mixer known for his work with The Lumineers, Red Hot Chili Peppers, The Avett Brothers, The Dixie Chicks, Third Eye Blind, Jamie Cullum, John Frusciante and the Turnpike Troubadours. Hewitt is a Grammy Award winner having received the accolade for mixing and engineering Red Hot Chili Peppers' ninth studio album Stadium Arcadium. The album received seven Grammy nominations and won in the categories of Best Rock Album and Best Boxed or Special Limited Edition Package. He is currently based in Nashville, TN
Andrea is a multi-award-winning mixer, engineer and record producer. He is best known for his work with the legendary artists U2 and The Rolling Stones as well as with contemporary artists such as Jack Savoretti and George The Poet. Andrea mixes for Grammy award winning and multi platinum selling producers and writers including Brit-nominated Matty Benbrook, UK hip-hop pioneer and Amy Winehouse collaborator P*NUT and St Francis Hotel.
Producer | Mixing Engineer
U2 | The Rolling Stones | St Francis Hotel
“Pulsar 1178 is one of the few plugins out there that you’ll want to try on every possible source material. With such a well calibrated output stage, totally non hyped, it allows every user to fell the sound of its compression straight away… And what a sound!”
Producer | Mastering & Mixing Engineer
Massive Attack | YouMeAtSix | The Pixies
“Pulsar 1178 sounds amazing. It’s rare to use a plugin compressor that feels so close to the hardware it models. This plugin does everything my hardware 1178 did. Fat, warm, smooth and useable on any source. Pulsar 1178 has been a part of all of my mixes since I first tried it.”
Dan learned his craft engineering, programming and mixing for producers including Steve Osborne, Paul Corkett, Gil Norton, Flood and John Leckie on a wide variety of projects including The Pixies, B 52s, Biffy Clyro, Maximo Park, AFI, The Coral (to name just a few) but he was quickly noticed because of his energy and ability by artists including The Copper Temple Clause, and Oceansize who sought him out for his first solo production opportunities. Other acts including Cherry Ghost, YouMeAtSix, SLøTFACE and Massive Attack followed suit loving his creativity and inventiveness in the studio.
Juan he is based in Mexico City specialized in music recording and mixing. Some Of the projects that he has engineered are Zoe, Lori Meyers, The Drums, Phoenix, Spoon, and Rhye. Started his career at Sonic Ranch Recording studios after that he started to engineer at Panoram Studios and Toy factory as a mix engineer.
Juan Sebastian Rodriguez
Recording & Mixing Engineer
Mogwaï | Rhye | Zoé
Pulsar smasher is a beast! Loud and rude compression. When you need aggression on drums it’s so cool! I love it on toms mono rooms and creative mics. Very great compression!”
Producer | Mixing Engineer | Songwriter
Gwen Stefani | OneRepublic | Switchfoot
“Pulsar Smasher is a rockstar when you need to give energy to tracks and have that classic 1176 all buttons in compression style! Adding this on the drum buss and having a bit of the mix knob in can add so much energy!”
John is an award winning Montreal based producer, songwriter and mixer. He is known for his blend of acoustic and electronic elements, combining live strings, movie-like arrangements and percussions in contemporary productions. John co-produced, co-wrote and mixed OneRepublic's most recent singles "Better Days", which reached more than 50 million plays on Spotify, as well as "Wild Life", lead single from Disney+ movie "Clouds". He also worked on OneRepublic's singles "Wanted", "Didn't I" and "Rescue Me".
Maor has an extensive background with the international music industry - He is well aware of the various music styles and sounds that are developing vastly as the today's technology develops. To Maor, being a mastering engineer is the best way possible to combine his love and passion for music, with his various skills- objectivity, subjectivity, and technical & artistic prowess. He finds pleasure in his job, more than anything, thanks to the variety of music and sounds he gets to master from all over the world. It is a profession he takes pride in, and masters.
Recording & Mastering Engineer
Faith No More | Meatloaf | Yes
“With Pulsar Mu, you have the sound of the glue that you hear from the well-known variable-bias compressor, in a plug-in form with added controls and flexible side-chaining.”
Electronic Musician | Record Producer | Engineer
Coldplay | Seal | Alanis Morissette
“Pulsar Echorec truly divides itself from the rest of tape delays out they’re simply with their unique simulation of the magnetic motor delays and use of the warm saturation. It seems to work on almost anything you run through it especially pared with their Pulsar 1178 FET compressor. And the GUI is fire!”
Two-time Grammy Nominee, best known for his Electronic World Music, produced various eclectic album credits which include Seal, Coldplay, Paul Oakenfold, AR Rahman, Ryuichi Sakamoto, Pete Townshend, Huun Huur Tu, and Niyaz. Composed music for Oscar-winning directors Michael Apted and Stanley Brooks, and wrote the end title for Sony Play Station’s Uncharted 2.
Ross’ wide varied experience and taste opened up all creative doors and usual and unusual possibilities. He’s never allowed himself to be pigeonholed or trapped in any one musical genre as his studio work runs the gamut from the heavy metal insanity of Motley Crue and Coal Chamber to the Grammy-winning Keb’ Mo’ release Slow Down to recent releases by Van Halen, Grammy winning Ziggy Marley and Grammy winning Taj’Mo’.
Recording & Mastering Engineer
Faith No More | Meatloaf | Yes
“I have always loved the sound of an 1178 smashing the parallel drum bus or spanking the drum room in a mix. The new Pulsar 1178 plugin is killing me. It is an immediate winner along with its extra features of side chain eq and saturation. I was won over quickly and am already now a big fan.”
Jesse Ray Ernster
Grammy Award-Winning Mixer
Burnaboy | Umi | Andy Grammer
«I have been an immense fan of the 1178 for many years; it’s an incredible special box that possesses a beautiful sound that plugins were never able to recreate.. until now! I was equally curious as I was skeptical to try the Pulsar 1178, and I am so happy to announce that I was blown away by the sound. Plus, the flexibility far outweighs its analog counterpart. Everyone should have this!»
About Jesse Ray
Jesse Ray was born in Winnipeg, Manitoba and was brought up in a musical family. He spent his upbringing studying music theory and exercising proficiency on multiple instruments, and ultimately discovered his love for making records. Jesse began his Los Angeles journey when he became Kanye West’s engineer on the “Yandhi” and “Jesus is King” albums, and that lead to mixing for artists including UMI, Andy Grammer, and Burna Boy. Most-recently, Jesse worked creatively alongside Diddy and Timbaland during the mixing of Burna Boy’s 2020 LP, “Twice as Tall”.
Mike Avenaim has quickly made a name for himself through his ability to perform in any musical situation. Whether it be in the studio or on stage, his experience as a Music Director, Session Drummer, Producer, Composer and Mixer have taken him all over the world. Some of his clients include: Scott Weiland, Lil Nas X, Tori Kelly, Hailee Steinfeld, Nick Lachey, Leslie Odom Jr., Ruel, NOTD, Bea Miller, Jorge Blanco, Disney, Emblem3, Zella Day, M-Phazes, Colby O' Donis amongst many others.
Producer | Music Director | Session Drummer
Scott Weiland | Lil Nas X | Tori Kelly
“I’m constantly on the hunt for tools to enhance the way I mix and supply the music with a unique sonic picture. The 1178 satisfies every bit of that search. Killer on Drums, Vocals, Bass – I haven’t been able to make it sound bad!”
Mastering & Mixing Engineer | Producer
Jeremy Riddle | Marcos Witt | American Sniper | Dunkirk
“Having used some of the best 1178 units in countless sessions for over 25 years, I never thought I’d hear a plugin that could faithfully emulate its sonic fingerprint. Pulsar has not only captured the 1178’s DNA. It made it even more useful with features who allow me to control every single relevant parameter I need. From FET to FAT in a couple of tweaks!”
Born in Brazil in the late 70's and based in Los Angeles, CA since 2004, Lucas (also known as Luke) has received credits as songwriter, recording, mix, master engineer and music producer on thousands of projects worldwide. . Established in Southern California, he is the Founder and Owner of Lucas Pimentel Mastering (aka The FunAttic). While mastering has become his primary field in the industry, he can still be seen engineering and producing in some of Los Angeles' state of the art studios such as Capitol Studios, United Recording, East West Studios, Sunset Sound and sound-stages like Fox, Sony, Eastwood (Warner Bros).
Record Producer | Mixer
Motorhead | Bring Me The Horizon | Bullet For My Valentine
“Pulsar Audio 1178 is a superb recreation of the classic! Within a few seconds of using it, I was sold on the sound of it! I love the tape circuit option too, it adds such a great fatness to drums. Highly recommend it if you’re looking for some analog flavour across your tracks.”
Marc Daniel Nelson
Mixer | Producer For Music & Picture
Fletwood Mac | Jason Marz | Solo | Blade Runner
“After years of waiting on an 1178 plugin. FINALLY. This guy sounds amazing and finally I can get my drum buss ITB. I love, love, love the saturation controls as it lets me get the perfect transient going into the master buss. A real winner!”
About Marc Daniel
Marc Daniel is a Latin Grammy and French Academy Award nominated mixing engineer, music producer and creative director. He has been mixing, producing and managing creative content for over 20 years. His music credits include Fleetwood Mac, Jason Mraz, Colbie Caillat, Eric Burdon, Ben Harper, Francesca Battistelli, Robert Duvall, Ozomotli, Reik and more. As Protégé for both legendary producer / engineer Bill Schnee and Ken Caillat, Marc has carried the torch for impeccable quality sound and production.
Hebegan his career as a producer of bass driven, experimental electronica both as a solo artist as well as under numerous guises alongside and as part of Bristol's 'Young Echo' Collective, most notably as a member of Killing Sound. Following a number of limited 12" EP releases with London label Left Blank and an EP on Mute Records subsidiary, Liberation Technologies, Gainsborough's 'Vessel' solo output has been released by Tri Angle Records. His trio of albums on Tri Angle, Order of Noise, Punish, Honey and Queen of Golden Dogs have been widely acclaimed.
Sebastian Gainsborough aka Vessel
Electronic Producer | Musician
Red Sex | Paplu (Love That Moves The Sun)
“Pulsar Mu is a beautifully responsive compressor, adding depth and width to material in such a solid, subtle way as to almost be invisible. It cuddles the sound. I love it.”
Producer | Musician
PETROL CHIPS LABEL
“I used the original Binson Echorec on several recordings, and this virtual version really has all the charm of the original. Whether it is for very typical echoes with modulation, or simply to colour the sound a little bit with the drive, it quickly becomes an indispensable tool, much more spatial than the RE-201 or the Echoplex.”
Ray is a producer, multi-instrumentalist and video artist. In 2003, he created Tara King TH, a band with which he released several albums: Sequence 01, Harold, uncolored past, swallow and beretta, Stellar Fantasies. He invested in an old discotheque which he rehabilitated as a studio and a concert café.There he produced and recorded music for himself but also for other groups such as Halasan Bazar, Slow Joe and the Ginger accident or Gontard. He creates his own label and designs visuals and video installations for each of his projects.
Robert’s musical output is inspiring and staggering. A true one-man operation, he writes, records and performs solo; commanding an ever-expanding touring schedule, tailoring the music he creates to the cities he visits. But that’s only part of the puzzle, Babicz's art is comprised of more than just his music. He films everything. Using his music to open doors and build relationships with people in only the way music can, he then records his experiences and interaction on film, both still and moving, later editing the images together as a picture track to his audio.
Music Producer | Mastering Engineer
Dark Flower | Human
“Since I have Pulsar Mu, I use it in almost every project. Pulsar Audio really did an amazing job on this one, I am really a new fan now! The sound is just right, super calm feeling and the interface is nice and easy to use. Thank you Pulsar Audio!”
Neal Merrick Blackwood
Producer | Mixing Engineer | Songwriter
Johnny Cash | Cindy Lauper | Willie Nelson
“I use Pulsar Mu plugin on every mix. It gives me true tube smoothness which rounds off any harshness. Aside from the dynamics control that you get with a compressor /limiter, I find that Pulsar Audio plugins give me the truly wonderful analog character and focus that I require.”
Neal has worked with legends like Johnny Cash, Elvis Presley, Willie Nelson, Dolly Parton, Cindy Lauper and so many more! He is a classical musician, composer, orchestrator, conductor, arranger, over-all contractor, recording engineer and producer. Neal has worked under many Grammy Award winning production teams/monikers in world-renowned recording studio facilities and concert venues with countless legendary artists representing many styles of music for well over 40 years.